Living Now : Here -- There

Architecture, Memories,
Havana Interiors

Julia Wadsworth

 

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Three

1920

Twin hotels, side by side, brothers. Wide marble stairs lead guests to their rooms. Tall ceilings, and a bathroom, just enough space for a couple to have a luxurious weekend. Small service elevators carry clean towels and hot meals to guests upon request. Just pick up the phone and dial the switchboard.

1977

Wide marble stairs lead residents to their apartments. One apartment has been lofted so that there is now an upstairs and a downstairs, more space for the people living there. Apartment 3 has turned the bathroom into a kitchen/bath with a kitchenette on one wall, a bucket of water on a plank for washing dishes (the sink is too small). Friends trade cigarettes for soap; supplies are hard to come by.
The woman of apartment 3 lives with her husband and two sons. She has told the Cuban government that she can not raise her children in a home with no kitchen (the kitchenette in the bathroom is kept secret), and she puts in a request to trade her house. This exchange could take months or years.

2002

By day observe abstract textured walls; stairwells flooded with light and patterned floors with a hint of sophistication. By night, confront the blackness of hallways, the cold marble stairs. Lean against the wall, slashed by the texture of protruding paint or falling ceiling.
A single man now occupies apartment 3; outside his apartment is a gaping hole in the upstairs ceiling that lets in the moolight. A man made the hole and some iron stairs in an attempt at living on the roof in a small watchtower that looks towards the sea. No water runs to the roof and when sanitary inspectors visited he was told he could not live there. Nevertheless, within months a woman and her two children moved onto the roof.

“The apartment is okay, but the building is in bad condition. All fixing up has to come out of your own pocket. A lot of people here are poor and don’t have the resources to repair the building. There are neighborhood meetings where we raise our questions and our concerns, but they do nothing. Even twenty-five years ago this neighborhood was different. There weren’t so many grills and bars up. Bars bars bars. I didn’t always have bars—I had to put them up five years ago. A lot of friends come to my house and ask, ‘Why don’t you put them there?’ on my last free window. I can’t live. It’s too much. I can’t have bars everywhere.”

 

 

 

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